Short Film Review “Mindenki (Sing)” 7



First, the Recap:

The beauty of childhood. It’s meant to be a time where cares fade away, everything is exciting and new, and life is only beginning to show its myriad of facets to explore, experience, and learn from. But what happens when that absolute joy found in even one particular undertaking goes suddenly sour? In Budapest, Hungary, a young girl named Zsofi (Dorka Gasparfalvi) winds her way through the halls of a local school she will be attending soon, intently drifting towards the music wafting though the halls. Finding it is the school choir practicing, her reverie is interrupted by her mother’s (Borbala Karadi) call. The following day, Zsofi begins the first day of class as the new girl in town.

Initially awkward but soon finding a new friend in classmate Liza (Dorottya Hais), the two become like peas in a pod, bonding over mutually admired accessories and general like-minded demeanors. Choosing to take part in the school’s renowned and award-winning choir under the guidance of director Miss Erika (Zsofia Szamosi), Zsofi encounters an unexpected and heart-shattering circumstance after practice one afternoon. Disconcerted and ashamed, it is only her closeness with Liza that reveals the inner pain Zsofi’s holding inside. With this revelation and subsequent confrontation with Miss Erika unfolding, a plan is hatched as only the unclouded minds of children could create. As a competitive performance arrives, it becomes an potent illustration of an age-old question–at what price does winning and acclaim come?

Next, my Mind:

Now contained in the short list of 10 films being considered for a 2017 Live Action Short Film Oscar, director/co-writer/co-producer Kristof Deak’s 25-minute drama is so amazingly engaging, undeniably charming, dramatically captivating, very much heartwarming, and deeply affecting in its narrative’s execution that one can easily see why it has garnered the attention and awards consideration. Beautifully crisp, clear, smoothly flowing cinematography perfectly accompanies the characters here, paired with the simple joys of children’s voices during the choral practice and performance sequences. As hinted at above, the power of the story ultimately comes from the lessons it teaches, which are ones we could all stand to re-learn at times when certain means to achieve goals are employed, yet in the success comes the hard reality of the toll it is taking on others involved, which in turn may end up bleeding the triumph and delight away.

Gasparfalvi’s performance Zsofi is absolutely endearing to the highest degree, as the young actress navigates the character’s wide-eyed innocence and initially hesitant manner when joining a new school amongst strangers with a poise and, honestly, distinction that very much belies her age. Watching the range of emotions she takes on–the joy of new friendship, the hurt of being criticized, the release of said distress, and the shared satisfaction of seeing thing even out–is quite engrossing and a testament to the acting skills being presented. Likewise, Hais as Liza is also a study in the intelligent, “beyond-her-years” assessing of the situation at hand when it comes to protecting her new best pal while also being willing to stand up to authority in a way that is by no means intended to be disrespectful or combative, but rather a straightforward exposing of a truth that needs to be dealt with. Hais’ wonderfully plucky attitude and winning smile only serves to make the solution she arrives at all the more satisfying to witness take form and be carried out.

Not to be excluded by any means, Szamosi’s Miss Erika is played with excellence by the actress, who truly delivers a character that we initially love, learn to dislike, and then desire to see her get her comeuppance. Szamosi has very striking eyes, at it truly adds to her character’s overall appearance and bearing when dealing with the children, one moment the kind of teacher you’d want to have, then next one you want to be as far away from as possible thanks to a quietly menacing stare!  In total, “Mindenki (Sing)” is one fantastic indie short film effort that surely deserves any and all awards it receives, and I know this reviewer will be watching the upcoming Oscars a little more closely this time around!

As always, this is all for your consideration and comment.  Until next time, thank you reading!


7 thoughts on “Short Film Review “Mindenki (Sing)”

  1. Reply Veronique Mar 1,2017 4:17 am

    I love reading a post that can make men and women think.
    Also, thank you for allowing for me to comment!

    • Reply Mar 8,2017 11:13 pm

      Hey, Veronique! You’re certainly welcome! Glad you did comment! Always like to hear other’s opinions, as I make it clear in every review that mine is my own and people can freely agree or disagree with my assessment of a film! 🙂

  2. Reply Leonore Mar 6,2017 8:38 am

    Hurrah, that’s what I was exploring for, what
    a material! present here at this weblog, thanks admin of this web site.

    • Reply Mar 8,2017 11:14 pm

      Hi, Leonore!

      You’re very welcome! I am truly glad you found the review and/or experience on my site satisfying!

  3. Reply Lula Mar 8,2017 5:52 am

    First off I want to say excellent blog! I had a quick question which I’d like to ask if you do not mind.
    I was curious to find out how you center yourself and
    clear your head prior to writing. I have had trouble
    clearing my mind in getting my thoughts out. I truly do enjoy writing but it just seems
    like the first 10 to 15 minutes tend to be wasted simply just trying to figure out how to begin. Any
    recommendations or tips? Appreciate it!

    • Reply Mar 8,2017 11:27 pm

      Hi, Lula! Thanks for visiting my site and I am SO genuinely appreciative of your affirmation of it! It has been a labor of love of a little over 3 years now, and it truly takes some fortitude to stick with it, I will say!

      As far as actually sitting down and writing my reviews….honestly, I TEND not to write the review for any given film until no earlier than later in the day after seeing it or the day following, as for me, it really allows the TIME for everything about it to truly sink in first, THEN it feels like the thoughts just start flowing out! Otherwise, truthfully, I just come home, sit down, pull up my reference sources I utilize (like IMDb, for instance) and launch in!

      I tend to try and think of some key word or words that encapsulate primary theme(s) the film’s narrative holds and then, as you’ve probably noticed in reading my reviews, start with some form of sentence(s) that forms THAT idea. THEN I get into the actual synopsis and opinion from there.

      But, most importantly (and once I had done this back in mid-2014, it literally revolutionized my writing)….create your OWN voice…let what you write and HOW you write it reflect YOU, how a given film impacted YOU…make it your OWN style. Yes, you might emulate another writer or writers, but you NEED to be YOU while providing an honest assessment of the film, having liked or disliked the film.

      Ultimately, it IS a HUGE learning process that you pick up as you go. But, hopefully SOMETHING I shared my help you get into that “zone” you wish to be in with your writing! Be creative! Be different! Find that unique voice so people who read your material will know…”Hey, that’s Lula’s work!”.

      Put it this way as a final thought….learning to have my own take, my own voice for film reviews has gotten me linked up with filmmakers from the U.S., Canada, and 21 foreign countries to date. An amazing journey that just keeps on building! Which is why I truly hope one day I will actually do this AS my living!

      Take care, Lula! Thanks again for checking out!


      Kirk F.

  4. Pingback: sing(mindenki) – I love short film

Leave a Reply