WATCH THE FILM HERE
First, the Recap:
You know when people might randomly mention about the risks associated with workplace romances? It’s often seen as a taboo, something to ideally avoid so as not get unceremoniously caught messing around in the janitor’s closet or, I don’t know, get fired for breaking fraternization rules perhaps. There seems to be only one phrase to offer–just don’t do it! While having found great success in his position as an advertising exec, industrious and acclaimed Tim Cooper (Timothy J. Cox) has it all. Between his unwavering work ethic and amicable demeanor, it would seem everyone has a liking for him, always wanting to engage him for his kind and witty personality. Yes, everyone sure does appreciate and esteem him.
One day, while his co-worker Cam (Cameron Rankin) and secretary Tiffany (Tiffany Browne-Tavarez), indulge in the usual office banter and coffee-fetching for him, a card is found on his desk, indicating its origins to be a secret admirer. Initially finding the token amusing, Cam and Tiffany decide it’s fodder to enjoy a little playful taunting at Tim’s expense. However, he then received further gifts as the week moves on, but while innocent at first, the items being sent start to become more and more creepy, culminating in some that are flat out macabre. Deciding enough is enough, Tim’s intentions to find out exactly who is up to this increasingly horrific game beings. Fortunately, even despite the unsettling events taking place, Tim’s dutiful and devoted secretary is there–waiting.
Next, my Mind:
Director/co-writer/cinematographer/editor Matthew Mahler, along with his father, co-writer/co-producer Ross Mahler, present a truly twisted narrative that takes the entire concept of obsessive admiration to whole new quirky then darkly executed levels. Cleverly orchestrating Tim’s receiving of the gifts over time and intermixing his ever-escalating discomfort with said items as a build-up to a freaky, disturbing conclusion that will leave the viewer quite shell-shocked, all accompanied by the bombastic, mass choral music score that is a common tool when certain emphasis is needed on not so great events occurring in a story.
Ever the light in any film he is seen in, Cox once more shines as the “everyman” thrust into extraordinary circumstances, and pulls it off with the convincing ease and poise of a veteran actor, which he is. Not overacting or attempting to make Tim’s character any more than he is required to be, Cox’s smooth delivery and emotive expressions continue to carry weight and help maintain the film’s realistically portrayed settings, mood, and tone. Rankin is solid as Cooper’s teasing co-worker Cam, who more than enjoys giving his friend a hard time about the gifts–until he makes an unfortunate discovery one day.
Browne-Tavarez rounds out the mix with an equally hilarious and warped portrayal of the ever-present, ever-steadfast, ever-reliable secretary Tiffany whose own flirtations with Tim may or may not hide ominous intent. Overall, “Dark Romance” is an offbeat little slice of indie short film horror/thriller that carries with it the understanding of how free the genre can be to provide unconventional, eccentric cinema that remains not only well-done, but entertaining as heck. Coffee, anyone?
As always, this is all for your consideration and comment. Until next time, thank you for reading!
