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First, the Recap:
There are moments of revelation in this human existence. Times of transition when we experience a unique, singular moment when a discovery is made that will forever change the way we live and possibly even the way we view ourselves. One evening over what was to be a joyous and meaningful dinner, Leyla (Goknur Danishik) finds that her boyfriend Arda (Mehmet Fatih Guven) is not only unhappy but adamant that the gesture the night was to represent means nothing, and that all of her personal efforts to be what he desired is likewise worthless.
In an overwhelmingly crushing verbal altercation that shatters Leyla’s heart, Arda puts forth a challenge to her that tests every resolve she has in the midst of complete and utter emotional upheaval. However, what follows is nothing like Leyla would expect when a knock at the door heralds the arrival of an unanticipated stranger. Still reeling from the weight of the just transpired events, Leyla embarks on a journey of realization about herself, the actions she’s taken, the freedom she suddenly comes to terms with, and perhaps a much more profound and insightful glimpse into who she wants to be.
Next, my Mind:
Azerbaijan-born director/co-writer Tofiq Rzayev continues to showcase his ever evolving filmmaking skills with this newest short film project that is a deep, all-encompassing, emotionally charged journey into the depths of the human condition as told from the individualistic perspective of the lead character, Leyla. What could have been seen as just some short story about a couple having issues, it delves well beyond this basic premise and plumbs not just the immediate aftermath of heartbreak, but the power of choices made in the face of truly finding out who you are and what you’re made of. Beautifully visual and well executed, the narrative will pull you in and leave you contemplating what directions events are going for Leyla. Once disclosed, it enters the realms of what it means to perceive who you are and seek that which suits your future.
Guven completely embodies the role of Arda, filling him with such an innate sense of displeasure, anger, arrogance and controlling attitude so as to truly make the viewer despise his character, which is what’s needed for the story’s sake. Danishik, though, is the ultimate inspiration and essence of this tale via her portrayal of Leyla, so emotive, with an absolutely genuine, impassioned, stirring performance, again which is so necessary to then believe the path she travels over the course of the film. The additional appearance from actress Elif Barut only brings yet another facet and level of complexity to the overall picture, and to solid effect.
In summary, “In A Time For Sleep”, while maybe mildly pushing thematic boundaries for some, stands as a potent character-driven drama that can honestly speak to anyone, even when applying its greater message of stepping away from adverse situations in life and then letting that release, that liberation, be a catalyst for searching within for who you are and where you long to be, then pursuing it with everything you have.
As always, this is all for your consideration and comment. Until next time, thank you for reading!
