First, the Recap:
When desperation sets in, why do drastic measures always seem to present themselves as the only solution? It is 1918 and recently returned soldier Tom Sherbourne (Michael Fassbender) is commissioned with a new assignment–to be the keeper of the Janus Lighthouse in Western Australia. Needing the time apart from the chaos he’s come from, it is a welcome post. However, once falling for and marrying Isabel (Alicia Vikander), the two strive to start a family, but suffer multiple, heartrending setbacks. When all seems lost, a tiny miracle washes ashore on the island. However, the decision to keep the rescued child comes at a much higher price to the couple, as truths have a way of getting out and exposing even seemingly hidden lies.
Worth Seeing: Yes & No
“Blue Valentine” and “The Place Beyond The Pines” helmer Derek Cianfrance takes on the film adaptation of M.L. Stedman’s novel, but does it only half successfully. Fassbender and Vikander are fantastic as the unintentionally wayward couple, both able to emote with such fire and realism, and there’s a solid supporting effort from Rachel Weisz and child actress Florence Clery as the subject of contention. Yet, despite the acting pedigree, beautiful seascape-laden cinematography, and the expected amount of tear-inducing pathos, the film is simply, flat-out too long, and the runtime begins to wear on the viewer when so futilely desiring to stay engaged. If anything, perhaps take the shot and see for the performances, but just be prepared to possibly start looking at your watch.
As always, this is all for your consideration and comment. Until next time, thank you for reading!
